A Quiet Fire
A collection of charcoal drawings by Danielle Walsh, containing
softly sexy female portraits rendered in an impressionist style. All pieces were completed from the sitting of
live models - captured with gestural pencil strokes, their personalities coming
through in the tilt of their head, curve of shoulder, and smoky gaze.
Artist Statement
The use of charcoal to depict the human form subtly invokes
thoughts of fire, from the charcoal itself, which is formed from the heating of
trees, to the flammable paper it’s placed upon, to the human figure, which
takes on a quietly seductive quality, bringing to mind the fire of human
desires.
Creativity, often described as a “spark”, is both
psychological and physical process, with many factors affecting the
outcome. Upon discovering I would be
moving to my current larger studio space, located in the middle of a diverse
and supportive artists’ community, I was inspired to write the following
poem.
Four Fifty-One
Each night I
arrive home and fold myself up to enter
storing my
dreams on a shelf with dim lighting
I have been
a potato-eater these long years
surrounded
by charcoal thoughts on rough paper
always cold
around the edges
Soon I will unfold and lay myself out
Soon I will unfold and lay myself out
on the
wooden floors where the light will blow across me
I will be
infused with color and sound and purpose
Each night I will become more alive
Each night I will become more alive
my core will
ignite, burning onto the paper
Artist Bio
Danielle Walsh has an Associate’s Degree from GRCC, where
she studied studio art and art history.
The artists who influenced her drawing include Edgar Degas, Dominique
Ingres, and Egon Schiele. She has
exhibited in GRCC Collins Art Gallery, Hollowell Art, Wealthy Theatre, Bear Manor Properties, and West Michigan Center for Arts and Technology.
Danielle’s live/work space, figurista, is located on the
Avenue for the Arts in the Heartside neighborhood of Grand Rapids. Once a month, fellow artists come together to
sketch from a model during the drawing sessions she organizes and holds in the
space.
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